More
than 55 years after readers fell under the spell of the feisty tomboy
Jean Louise “Scout” Finch in Harper Lee’s “To Kill a Mockingbird,” the
character has been resurrected — as a more mature and outwardly
civilized, but still rebellious, young woman — in “Go Set a Watchman,” an unexpected second novel by Ms. Lee.
In
the opening passages, Jean Louise is in her 20s, taking a train to
Alabama from New York. She is returning home to Maycomb to visit
Atticus, now 72, who refuses to retire from his law practice despite his
age and infirmity.
The
young man is Henry Clinton, a lifelong friend who wants to marry her.
Jean Louise is less enthusiastic, and teasingly tells him that she will
have an affair, but will not marry him: “She was almost in love with
him. No, that’s impossible, she thought: either you are or you aren’t.
Love’s the only thing in this world that is unequivocal. There are
different kinds of love, certainly, but it’s a you-do or you-don’t
proposition with them all.”
Henry
is a new character who does not appear in “Mockingbird.” Ms. Lee’s
publisher has said that “Watchman” is full of new characters and has an
entirely new plot. And while the book features familiar and cherished
figures, not everyone makes it. Devotees of “Mockingbird” may be shocked
by an offhand reference in the first chapter to the death of Jem Finch,
Scout’s older brother, and her protector and occasional tormentor.
“Just
about that time, Jean Louise’s brother dropped dead in his tracks one
day, and after the nightmare of that was over, Atticus, who had always
thought of leaving his practice to his son, looked around for another
young man. It was natural for him to engage Henry, and in due course
Henry became Atticus’s legman, his eyes, and his hands.”
Whether
the book will resonate with fans and critics, though, remains to be
seen. Ms. Lee wrote “Watchman” in the mid-1950s, and she set it aside
when her editor told her to rewrite it from the perspective of Scout as a
child — advice that gave rise to the story that would become
“Mockingbird.” When the news of the publication was announced last
February, questions quickly arose about why Ms. Lee, who had long
claimed she was satisfied with her single contribution to American
literature, decided to release it after all this time.
But whether it holds up to her Pulitzer Prize-winning debut novel,
“Watchman” will offer readers an unprecedented and unfiltered look into
the mind and creative process of one of the country’s most revered and
enigmatic authors. The novel, however flawed, promises to shed new light
on familiar characters, and to offer a rare look at the unedited prose
of a writer who was so rattled by fame and the weight of expectations
that, for decades, it seemed all but certain that she would never
publish another word.
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