FILE - Thai student actress perform at Thai traditional “Khon” theater in Bangkok, March 22, 2016.Cambodia, Thailand Dancing Out of Sync
VOA | 7 June 2016
BANGKOK—A compromise to settle a
cultural battle that has flared in recent days between neighbors
Thailand and Cambodia, is being suggested by a UNESCO official.
The dispute inciting nationalist fervor on social media in both
countries involves a classical mask dance performed in both Southeast
Asian nations that each want to have listed with the U.N. Educational,
Scientific and Cultural Organization as their own intangible cultural
heritage.
Cambodia appears to hold an advantage because Thailand is not one of
the 167 states to have ratified the Convention for the Safeguarding of
the Intangible Cultural Heritage.
"Thailand hasn’t ratified the Convention yet, so the listing will not
likely be happening any time soon. Cambodia, on the other hand,
already had their Royal Ballet of Cambodia [which performs similar
dances] listed in the Representative List in 2008," Duong Bich Hanh,
chief of the culture unit in the UNESCO Bangkok Office told VOA.
Possible joint inscription
A compromise, according to the UNESCO official, could be reached by the countries pursuing a joint inscription. Thai government officials are seeking to soothe the social media outrage in neighboring Cambodia and appear open to UNESCO's compromise suggestion.
A compromise, according to the UNESCO official, could be reached by the countries pursuing a joint inscription. Thai government officials are seeking to soothe the social media outrage in neighboring Cambodia and appear open to UNESCO's compromise suggestion.
Cambodia is also welcome to register the mask dance, according to Thai deputy prime minister Wissanu Kreau-ngam.
Thailand, currently governed by a military junta, plans to press
ahead with its own UNESCO application, according to culture minister
Weera Rojpojanarat, as UNESCO has no limit on how many countries can
host similar heritage items.
Thai officials noted Cambodia, Indonesia and Thailand share claims to
shadow puppetry, while Argentina and Uruguay both have listed tango on
the UNESCO list. The rival Koreans share kimchi, a fermented side dish,
as a registered cultural asset. [But when the owner is clear and known? What happens when a country is as fragile as Cambodia --exploitation on all fronts.]
The mask dance issue
But Cambodians on social media have expressed alarm in recent days about Thailand’s plan to register the elaborate mask dance, known as Khon in Thai and Khol in Khmer [and Pra Lak Pra Ram in Lao], arguing that it is part of Khmer heritage and the Thai version is a latecomer and imitator.
But Cambodians on social media have expressed alarm in recent days about Thailand’s plan to register the elaborate mask dance, known as Khon in Thai and Khol in Khmer [and Pra Lak Pra Ram in Lao], arguing that it is part of Khmer heritage and the Thai version is a latecomer and imitator.
Cambodia’s Culture Ministry, on social media postings, sought to calm
passions saying protesting Thailand’s claim “could damage relations
between the two countries.”
An image asserting Cambodian sovereignty over the dance has been shared more than 10,000 times in the past three days on Facebook.
Hun Sen involved
Even Cambodia’s prime minister, Hun Sen, has stepped into the
controversy with a Facebook posting rebutting the notion that his
government did not care about the matter.
The mask dance dispute “is something that will increase nationalism
in Cambodia. But it's also something which, in Thailand, is an attempt
to embrace the Thai heritage,” said Paul Chamber, a law faculty lecturer
at Chiang Mai University in northern Thailand. “Basically we have
dueling nationalism alive and well in this controversy over this dance.”
Many historians regard the Southeast Asian dance as a regional variation of the epic Ramayana tale from ancient Hindu India.
Thailand says its dance a bit different
Thailand is pushing for the Khon’s inclusion as it celebrates the
completion of the sixth birth cycle (84 years) of Queen Sirikit, who is
the kingdom’s patron of the mask dance.
“Thais would argue that these two dances are just a little bit
different so they are not stealing from the Cambodians,” Chambers told
VOA. [A difference of "grey" and "gray", or, of "blue" and "green"?]
The Khmer empire, which peaked in the 11th to 13th centuries,
dominated Southeast Asia and included much of what is modern-day
Thailand.
Subsequent Siamese conquests had the Khmers paying tribute to
Thailand until the French conquest of Indochina in the mid-19th century.
It is widely recounted that vanquished Khmer dancers were brought to
the Thai royal court to perform after invasions of the Cambodian
capitals (Angkor in 1431 and Phnom Penh in 1594).
In recent years Cambodia and Thailand were also at odds over the
sovereignty over border land around an ancient Hindu temple, which is a
UNESCO World Heritage site.
The dispute over the clifftop Preah Vihear, which led to artillery
skirmishes and mobilization of military units on both sides in 2011, was
settled when the International Court of Justice two years later ruled
that land adjacent to the temple belonged to Cambodia and that Thai
security forces should stay out of the area.
Note: The Khmer empire, which peaked in the 11th to 13th centuries, dominated Southeast Asia and included much of what is modern-day Thailand.
ReplyDeleteDoesn't this say it all? AI YAI YAI!!!
The Thai and the Vietnamese were kicked out from Southern China.
ReplyDeleteThe Vietnamese kept the Chinese tradition and culture, whereas the Thai instead
adopted those of the Khmers.
Therefore the Thai should enjoy the borrowed Khmer treasures, and be grateful to the gifted
Khmer creators.
Furthermore, prior to a provincial revolt by the Siam, the Thai were slaves of the Khmers.