An exterior view of the archaeological site Sambor Prei Kuk in Kampong Thom province, which was listed as a World Heritage Site by Unesco on Saturday. Heng Chivoan |
Kampong Thom's Sambor Prei Kuk gets Unesco listing
The Phnom Penh Post | 10 July 2017
The Sambor Prei Kuk archaeological site, a cluster of ancient
brick temples scattered in the forest in Kampong Thom province, was
listed as a World Heritage Site of Unesco on Saturday.
Built by Isanavarnam I, king of the Chenla Empire, the
seventh-century ruins are an important piece of Cambodian history that
predates the Angkorian period.
The temple – perhaps best known for its enigmatic carvings that appear to depict foreign visitors
to the royal court – was inscribed on the World Heritage List during
the 41st session of the World Heritage Committee held in Krakow, Poland,
the Ministry of Culture and Fine Arts announced in a statement
yesterday.
“The Unesco’s decision is a great national pride coming from the
efforts of our government led by Prime Minister Hun Sen,” the statement
reads.
On his Facebook page, Hun Sen yesterday expressed his congratulations
over the inscription of Sambor Prei Kuk and thanked the Ministry of
Culture and Fine Arts and other authorities for their contributions to
the preservation, conservation and registration of the temples.
In a separate Facebook post, Hun Sen also asked all officials and the
public to celebrate this “historic event” by banging pots and water
jars at public places at 10am today.
According to a news release from Unesco, Sambor Prei Kuk, which means
“the temple in the richness of the forest” in the Khmer language, has
been identified as Ishanapura, the capital of the Chenla Empire.
Covering an area of 25 square kilometres, the vestiges of the onetime
capital contain a walled city centre and temples with ornate sandstone
elements, some of which “are true masterpieces”, it adds.
Sambor Prei Kuk’s registration as a World Heritage Site, for which
the documents were submitted in 2016, helps to fund restoration works,
Culture and Fine Arts Ministry spokesman Thai Norak Satya said
yesterday.
“The benefit we gain from Unesco is their financial support for
repairing [the temples],” he said. “Any place that is not safe we would
never let the tourists enter. The place has to be good and safe like
Angkor Wat.”
Kampong Thom Provincial Deputy Governor Sok Lou said he welcomed the
boost in tourism numbers at Sambor Prei Kuk that would likely ensue
after its inscription on the list.
“We, all the Kampong Thom people, are very proud and happy with this
news,” Lou said. “We are not concerned that tourists will have a bad
impact on our temples because the Unesco will know how to take care of
it.”
However, as a site rich in Cambodian culture and history, Sambor Prei
Kuk should not just be an attraction for tourists, but a place for
Cambodian people to get acquainted with their heritage, said Sambo
Manara, a Cambodian historian and Khmer culture specialist.
“Sambor Prei Kuk is one of the most attractive [sites] for our
Cambodian history. It is a symbol of Khmer reconciliation,” Manara said,
explaining that Chenla’s rise marked the reconsolidation of the region
after the prior Funan Kingdom had broken up into competing powers.
“The word ‘Kampuchea’ started from the time when Sambor Prei Kuk
emerged,” he added. “This historical site is very important for us to
understand how Khmer collaborated with each other after a time of
division.”
Chen Chanratana, founder of the Khmer Heritage Foundation and an
archaeologist who has studied the site for years, said that Sambor Prei
Kuk, despite being dedicated to Shiva, a Hindu god, marked the start of
the creation of what has become the Khmer culture, or what he refers to
as “Khmerisation”.
“The temple has a lot of decoration because during that time Khmer
started to make Khmerisation,” Chanratana said. “In the past, we
received influence from Indian culture, Indian art, but during the
pre-Angkor Chenla period, we invented our own [art and culture].”
“That’s why we have a lot of decoration we could not compare with
Indian culture. This is a special characteristic of Sambor Prei Kuk.”
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